Sony FX3 * (2) Sony FX6 * Nikon Z9 45 megapixel stills camera (also capable of 8K RAW video) * Insta360 RS 1” (up to 6k full surround video and stills) * GoPro 10 Black *
NiSi Athena prime lens set (PL): 14, 18, 25, 35, 40, 50, 85, 135mm * *DZO Vespid Prime 90mm Macro (PL) * Sony E mount 16-35mm PZ, 16mm, 28-70mm * Nikon Z mount 20, 24, 35, 50 f1.2, 85 f1.2, 105 macro, 24-120 zoom, 400mm * Sony E-mount: 16mm f1.8 * Red Cine Prime 300mm
Two DJI Inspire 2 cine drones with X7 Super 35 gimbal cameras; 16mm, 24mm, 35mm, 50mm lenses; equipped for two operator filming with one person piloting and the other controlling the camera; capable of 6k CinemaDNG plus various ProRes formats * DJI Mavic 3 Cine Drone (up to 5.1k ProRes 4:2:2 HQ at 60fps, and slo-mo frame rates at up to 4k).
2 Sachtler tripods with fluid heads (Manfrotto plate) * 2 Manfrotto tripods with fluid heads * matte boxes (various) * Zacuto shoulder rig for Ursa camera * DJI Ronin RS 3 Pro gimbal with integrated follow focus and Lidar autofocus unit * DigitalFoto THANOS-PRO II Gimbal Support System (Steadicam) * Tilta Nucleus Nano II follow focus * 7” and 5” camera monitors * 27" stand mount director's monitor * Various arms, brackets, clamps, etc. * 9 x 150 Wh V-mount * 4 x 98 Wh V-mount * 4 x 99 Wh micro V-mount batteries * Numerous Sony-style NP-F batteries.
1 Aputure Light Storm 600d Pro * 1 Godox 4’x4’ Knowled 600Bi-color mat light with soft box * Godox VL300 monolight 5600k * 4 Godox UL150 monolight 5600k * 1 Nanlite PavoSlim 120C panel light * 1 Nanlite PavoSlim 120B panel light * 6 Rotolight AEOS bi-color LED rounds * 2 Nanlite 60c RGBLAC * 1 Nanlite 60B bi-color * 1 Nanlite 60 daylight only * Four Godox TL60 tube lights * 3 Aputure MT Pro 12” tubes * 3 Aputure Smart Bulbs RGBW * 1 Aputure MC-Pro mini panel * 1 Nanlite PavoBulb kit with 12 bulbs and accessories
Various soft boxes up to 42”, most with egg crates, and two small lantern soft boxes, also an 8 x 8 frame with green, black, half-grid inserts and an egg crate. Three 4x4 frames with various modifier inserts. Various flags. Lightbridge CRLS diffusers (2 x 25mm, 4 x 15mm) Three Lastolite collapsible backdrops. Two 8x12’ drapes of black muslin. 2 projector mounts and gobos by Godox. Also 2 fresnel and barn door sets for the Nanlite 60 lights as well as a 36 degree PJ-FZ60 projection mount.
3 full sized c-stands with arms * 2 medium w/ short arms, 2 mini-stands with baby pins * 1 Kupo Junior Master Combo (10’) * 1 Kupo Master Combo HD (11’) * 2 Matthews short junior combo stands * one 12’ medium duty tripod stand with baby pin and wheels * Matthews menace arm kit * one 8x8 frame with 1/2 grid * black or green screen inserts * plus egg crate * Dana Dolly and speed rail * various mic and small light stands * photography style tripods * Anker 2048 Whr battery bank.
Sound Devices MixPre 6 II (up to 32 bit), Zoom F8n Pro (new version, with 32 bit float), 2 Sony dual channel receiver/transmitter sets including plug-on transmitters, 4 Tentacle Track-e body pack recorders (no transmission), Audio-Technica 815B long shotgun mic, blimp, pole; 2 NTG5 short shotgun mics for on camera or tighter indoor shoots. 4 Sennheiser MKE 2 lav mics (black), 58 Deity W.Lav Pro (tan), 2 Austrian Audio 818 multi-pattern mics, Milab DC-196 multi-pattern mini condenser mic, Neumann KMS 105 condenser mic, Sennheiser e935 dynamic, Lewitt LCT 040 Matched Pair stereo condenser mics, various vintage Hi-Z mics. TASCAM Model 12 mixer/recorder.
4 Hollyland Mars 400s Tx/Rx for camera hops and remote monitoring. ATEM Mini Extreme ISO 8 channel video switcher and one ATEM mini ISO 4 channel switcher. 5G modem for remote streaming (if cell connection is sufficient)
3 Timecode Systems Ultrasync units, 1 Ultrasonic Blue, 2 Tentacle Sync units, BNC and 3.5mm connectors. The Tentacle Track-e body pack recorders have embedded timecode as well.
Offices: 400 Harris Avenue, Unit E, Providence, RI 02909
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